Two Lives? Great Idea!

Interior, 1913 

oil on canvas, Pierre Bonnard

"I am just beginning to understand what it is to paint. A painter should have two lives, one in which to learn, and one in which to practice his art."--Pierre Bonnard

Listen to Your Muse!

Cezanne's Snack, watercolor on paper, Susan Giannantonio

"There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique.  And if you block it, it will never exist through any other medium and will be lost."  -- Martha Graham

Monet Painting Waterlilies!

Weaving the Rainbow

The Artist's Garden at Vétheuil, Claude Monet

"I have spent my life weaving the rainbow, testing light like a piece of embroidery."--Claude Monet

There Are No Rules

Simply Inspired #3

 11.5 x 9" acrylic ink, acrylic pencil, Susan Giannantonio

‎"There are no rules. That is how art is born, how breakthroughs happen. Go against the rules or ignore the rules. That is what invention is about." - Helen Frankenthaler

That All Important First Glance

 

 Table in Front of the Window, Pierre Bonnard, 1934,

oil on canvas, 40 x 38 1/2"

“What I am after is the first impression - I want to show all one sees on first entering the room - what my eye takes in at first glance.” --Pierre Bonnard

The Notes are All There

Symphony in White No. 3, James Abbott McNeill Whistler

"Nature contains all the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music.  But the artist is born to pick and choose and group with science, the elements, that the result may be beautiful." -JAM Whistler, "The Ten O'Clock Lecture 1885"

Blown Away

Blown Away, Winslow Homer*

"I have learned two or three things in my years of experience...One is, never paint a blue sky." When asked why, Homer replied, "Why, because it looks like the devil, that's all.  Another thing; a horizon is horrible-that straight line!" --"Watercolors by Winslow Homer, the Color of Light," Tedeschi
*courtesy the Brooklyn Museum, used with permission

What Is My Voice?

Chromatic Variations, Susan Giannantonio

30 x 22" watermedia collage on paper (sold)

Giclee art print available on Amazon.com

"What's my voice?" has to be asked by each individual artist. Committee-free, the artist needs to develop her voice as if on an island. To be a voice is to be a different voice, set apart, unique. How to find it? Go to your island, put in long hours, fall in love with process--your voice will come out of your work.--Robert Genn's Twice Weekly Newsletter for 7/23/2010

To Live Out Loud

Subito, Susan Giannantonio

40 x 30" watermedia collage on canvas (sold)

Announcing "Subito", my 6th painting featured by music publisher Simply Violin. (www.simplyviolin.com).  "Subito" will soon be released on a collection of music arranged for youth orchestras.  "I am an artist....I am here to live out loud." --Emile Zola

Play with Purpose

Color is No Object, Susan Giannantonio

"Every child is an artist.  The problem is how to remain an artist once he grows up."  Pablo Picasso

The Music of Painting

The Striped Blouse, Edouard Vuillard

"Who speaks of art speaks of poetry. There is no art without a poetic aim. There is a species of emotion particular to painting. There is an effect that results from a certain arrangement of colors, of lights, of shadows, etc. It is this that one calls the music of painting."--Vuillard, Jan. 1894

Look Back, Paint Forward

Old Willow sketch, Susan Giannantonio

A trailblazing group of artists in Canada in the early 1900's struck out to the Canadian countryside and, after years of study and practice of sound academic painting and drawing, began to experiment with broken color, dots and dashes, underpainting, and alla prima. In an essay about these artists called The Story of the Group of Seven, Lawren Harris wrote, "When we focus our own seeing through our own creative activity and conviction, we are working from the inside, with the creative spirit itself; then the arts of the past and of other peoples become immediate, alive, and luminous to us."

Art's Unlimited Source

Pansies, oil on canvas, Richard Schmid

In one of my favorite "how to paint" books Alla Prima, Everything I Know About Painting, master painter and one of my very favorite artists Richard Schmid says, "Somewhere within all of us there is a wordless center, a part of us that hopes to be immortal in some way, a part that has remained unchanged since we were children, the source of our strength and compassion. This faint confluence of tangible and the spiritual is where Art comes from. It has no known limits, and once you tap into it you will realize what truly rich choices you have." For a glimpse of his creative genius, check out a 5 minute YouTube video of Richard finishing a painting: click here.

Beyond Precious

Whispering Call, 4 x 5' acrylic and collage on canvas, Mary Wilbanks

One of the messages that rings true about Mary Wilbanks' artistic journey, consistent both in her work and her instruction, is that sometimes we need to let go of what is too precious for the sake of the larger composition. Her paintings are rich in texture. The passages pull you in, compelling you to more carefully investigate. In the book Bird by Bird, author Anne Lamott tells us, "Go ahead and make big scrawls and mistakes. Use up lots of paper. Perfectionism is a mean, frozen form of idealism, while messes are the artist's true friend."

Go to the Masters

The Red Canoe, 13 3/4 x 20" watercolor, 1889, Winslow Homer

(sold at Sotheby's in 1999 for $4,842,500 and prior to that, in 1983 for $260,000!)

In the book Writing Down the Bones, Natalie Goldberg tells us "if you read good books, when you write, good books will come out of you. Maybe it's not quite that easy, but if you want to learn something, go to the source." That is my philosophy on painting as well. Those artists whose artwork draws me to it again and again have so much to teach. I never tire of pouring over the beautiful passages, hoping to figure out how to convey some of the magic in my own work. --SG

Chromatic Parallel

Vincent's Violins, Susan Giannantonio

24 x 24" acrylic on canvas (sold)

"Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul." Wassily Kandinsky

Challenge: When to Stop?

Dancer Adjusting Her Slipper, Edgar Degas

"Painting is easy when you don't know how, but very difficult when you do." Edgar Degas

Yesterday I was talking with an artist friend, Jeanne Heise, who does such beautiful sketches in her sketchbook. I'd never seen them until she recently posted them on her website because she primarily exhibits full sheet watercolors. I am a fan of sketches and unfinished work. They help me understand the artist's process. They seem so fresh and spontaneous. Degas' quote may mean the obvious: painting is easier said than done. However, Degas may imply that an artist must not get bogged down in the difficulty of the process, but instead try to keep the painting fresh and not overworked. The challenge: to know when to stop!

No Time to Lose!

Dining Room on the Garden, 1934-35, Pierre Bonnard

My creative friends, it is time to pick up your brushes (pen, musical instrument, camera, your tools that enable you to create) because there is no time to lose. Get out of your own way and get busy!

In his old age, Pierre Bonnard stated "I am just beginning to understand what it is to paint. A painter should have two lives: one in which to learn, and one in which to practice his art."

Picasso, Profound

Driveway Artist, Susan Giannantonio

22 x 30" transparent watercolor on paper (sold)

There is much to learn from watching children. For an artist to paint from the heart of her inner child is an illusive challenge.  "Every child is an artist. The problem is how to remain an artist once he grows up." --Pablo Picasso